PNEM Sound Art Festival – Interactive Visual Art

On Saturday 14 and Sunday 15 November 2015, the platform new experimental music the fifth international Pnem Sound Art Festival 2015 with live, video and audio performances by artists from home and abroad. The Pnem Sound Art Festival offers a stage for musicians and artists that are located on the cutting edge of sound, music and new media. The organisers hope through the festival an international platform for the development and implementation of new experimental music and graphic art.

To the public is also an active and participatory role. How’s your food? Take a walk in the woods with as a guide by yourself a soundscape selected or listen to the music via the app. In the context of 10 years klankenbos (be) and 5 YEARS PNEM FESTIVAL (NL) created a soundartist Bart Van Dongen in cooperation with app-Developer Yvan van der sanden an interactive GPS composition for two locations, the looppiste in Lubbock and The old velodrome of Belgian refugees in uden. The listen app gets a permanent nature, in Belgium as part of the world war I and in the Netherlands klankroute a luisterwandeling by the maashorst.

PNEM Sound Art Festival
14.11.15 | 19:30 h till 23:00 H | € 15, buy tickets
15.11.15 | 12:00 h till 17.00 h | FREE
Theater to peak
Pnemstraat 1
5406 xa uden…/interactieve-klankkunst-op-pnem-…

PNEM Program

Saturday 14 Nov. LIVE
20:00 Official opening of the PNEM Sound Art Festival
20:15 PushPull (DE) – Balgerei 
20:30 Ken Byers (UK) – Movement-Interactive
21:00 The Feedback Gents (DE) – Out Of The Wilds
21:30 Pause
22:00 Renzo Spiteri (MT) – Quintessence
22:30 PushPull (DE) – Balgerei
22:45 End

Sunday 15 Nov. LIVE
12:00 Official opening of PNEM Sound Art Maashorst
13:00 Stichting COM (NL) – Bezette Stad Revisited – theater
13:30 Bart van Dongen (NL) – Workshop – studio
14:00 PushPull (DE) – Balgerei – theater
14:30 Bart van Dongen (NL) – Live performance – studio
15:00 Renzo Spiteri (MT) – Quintessence – theater
15:30 Radio Approxim (NL) – Mother Flockers – studio
16:00 Studium:Stadt (DE) – To see with your ears and… – theater
16:30 End

Interactive installation
12:00-16:00 Lex Raijmakers (NL) – Roots – near the studio
12:00-16:00 Alan Dormer (IE) – Thishearbeast – outdoor theater

• La Cosa Preziosa (IE) – The edge of the world 1’44
• Julian Scordato (IT) – Vision II 7’00
• Dickie Webb (UK) – U DYS HET 7’19
• Matthew Schoen (CA) – Vehicles CA 9″30
• Osvaldo Cibils (IT) – N°1-5 installation on monitor 2’31

PNEM Sound Art Maashorst – WoodWalk Experience 2.0
• Alan Dunn (UK) – The Black Forest 2’30
• Barry O’Halloran (IE) – Triptych 6’22
• Bart van Dongen (NL) – Gelukzoekers, zo noemen ze ons
• David Prescott-Steed (AU) – Miscommunication Solo 9’05
• David Rogers (UK) – Dungeness Tower 3’32
• Katherine Trimble (USA) – We’re Not Gonna Make It 9’03
• Osvaldo Cibils (IT) – Soundart 29 april 2015h 3’30
• Sam Marshall (UK) – Caught In Transmission 6’53
• Sandrine Deumier + Alx P.op (FR) – Mdr_test508 2’38
•Simón Pérez (AR) – Las Cifras y Las Palabras 8’00

Nog enkele kaartjes voor zaterdagavond beschikbaar:…/…/kaartjes-tickets/


My work “Concept Of Since – 24 Options”, is currently part of an exhibition curated by Robert Montgomery.  The exhibition is at the Lights of Soho gallery in London.


London’s home of creative neon and light art formats is opening its doors for its inaugural open submission show entitled “Signs that Say What You Want Them to Say…” Lights of Soho will be accepting submissions from new and established light artists for a show that will be guest curated by artist Robert Montgomery.

Taking inspiration from the Royal Academy Summer Exhibition, Lights of Soho is inviting young artists who use light as a medium in their work to exhibit alongside established names in light art. Lights of Soho curator Hamish Jenkinson states, “Lights of Soho is more than an art gallery – it is a window of opportunity for young artists to get involved in the art scene. With this show, I’m hoping that we can reach artists who are well into their craft or just discovering it. I’d like to show young artists that art is a democratic experience and that they too can be featured in a London gallery.”

Having started his career off by vandalising billboards and bus stops with his poetry, Robert Montgomery directly communicates with his audience through text and light. Inspired by Roland Barthes and Guy Debord, Montgomery has paved the way for young artists to write their own story. Creating large LED light pieces with his poetry, Montgomery has seen his works showcased around the world including the Kochi-Muziris Biennale in India and a current project which hijacks an entire city block in Seattle.

Montgomery says, “When Bruce Nauman made his seminal artwork in neon “The True Artist Helps the World by Revealing Mystic Truths” in 1967 it represented the beginning of a kind of democracy. Artists, for the first time could now hijack a medium previously only the domain of commercial and corporate voices, and begin to say much more interesting things. When I was a teenager I was obsessed with the pure form of commercial signs. I would fill rolls of film on the family holiday camera photographing the neon signs on abandoned petrol stations in France, and endure the blank looks of my father as he returned from Boots later with far fewer smiling family portraits than he expected, “why would you take so many pictures with no one in them son?…. Jeez, what a waste of money.” I knew that as soon as I had any money of my own I would make my own signs saying the most whimsical things possible. Perhaps even something as whimsical and useless as poetry.

In 1992 Gillian Wearing made the important piece, “Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say”. This was a lovely and delicate artwork about democracy, and the idea of an open exhibition of light art takes its inspiration from Wearing as much as from Nauman. In an ideal world we would give the billboards back to the people and everyone could write their dreams in neon. “



I have been pretty quiet on the updates over the past few months however I recently flew back from New Zealand to attend the Into The Wild Professional Development Residency at Chisenhale Art Place.

First day was last Monday and it continues for the next seven Mondays before reconvening for a three month residency period in March.

I definitely excited and motivated about this opportunity even more so after the first day.  Meeting the organisers, mentors, curators and fellow artists its jut what I need I feel right now.  Balancing my work overseas in the Snowsports industry means that I sometimes require this immersion back in the art world to get my feet going again.

It will be interesting to see what transpires from this series of events and the collaborations that evolve.  I am sure there will be some exhibitions and happenings that will develop my own understanding and art practice.

Watch this space.

We’re familiar with the sight of brutalist towers in Britain, but less well known are the strange playgrounds built at the same time, which are the inspiration for a new installation at the RIBA by the artist Simon Terrill and design collective Assemble. With their rough surfaces and dangerous drops, these surreal concrete structures were very much a product of their time.


Shin Noguchi is an award winning street photographer based in Kamakura and Tokyo, Japan. He describes his street photography as an attempt to capture extraordinary moments of excitement, beauty and humanism, among the flow of everyday life and has a discreet, poetic and enigmatic approach that is sensitive to the subtleties and complexities of Japanese culture without using posed/staged and no-finder/hip shot. “Street photography always projects the “truth”. The “truth” that I talk about isn’t necessarily that I can see, but they also exist in society, in street, in people’s life. and I always try to capture this reality beyond my own values and viewpoint/perspective.” Today we take a look at Shin’s series titled Nonverbal Space.


“Nonverbal Space”, it is unstable, distorted, and contradicts what we have created. And [Ma], exists in there.

The characteristic of the Japanese [Ma] is very beautiful, also delicate, and if you are not always aware of the very small amount of undulation of [Ma], it loses balance immediately.

I tried to listen to a lump of invisible voice (or the voice that was confined) of [Ma] existing in nonverbal/unstable spaces of our daily lives, and I aimed to visualize the two invisible elements, [Ma] and human [Gou] (karma/conduct) that underlies in [Ma].

Also, in this project, I dared to express the human being as the existence (visualization of [Gou]), not as an individual but by making the whole nonverbal space the subject without including people in the frame. this way, i am managing the awareness of the relationship between individuals, society and the surrounding environment for the viewers.



Danshi Tatekawa said that “Rakugo is an affirmation of human [Gou] (karma/conduct), that is, inconsistency”, and Alexander Pope also said that “To err is human, to forgive divine”.
As they talked towards “people”, could their words really be said in front of the “Nonverbal Space” which is more closer to the “society”? and could that “forgiveness” recreate another type of hope or a new possibility in this land where everything had changed to something that looks irreversible?

I shoot the “Nonverbal Space” (it is unstable, distorted, and something contradicts what we have created) while being aware of their words which were created by human beings as well.

Finally, by expressing the subjective viewpoint of the photographer, this project is, so to speak, an antithesis against the new topographic photographs.


To view more of Shin’s work please visit his website.

11377274_10155506350215018_387412810496999647_nI have some work up for auction as part of The Rock Trust Postcard Art Exhibition And Auction 2015. This is taking place in Edinburgh from 5th June – 2nd July in the Summerhall . There will be some well know artists alongside artist like myself auctioning off postcard sized artworks. All proceeds go to helping youth rebuild their lives. If you are in Edinburgh you can check out the work in person. For those not in Edinburgh you can see all the works online and still bid on any works you may like.11350560_10155506351000018_1844357264341163836_n 11351318_10155506350930018_3644827039515469008_n


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