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Nope this isn’t a post about some amazing achievement or that I have somehow have a bank account in the black.  Its more of a reflection on what success is for me, and specifically in my art practice.  Whilst teaching here in Saas Fee (means to fund my art practice) I get asked a lot by my guests whether my artwork/practice is successful.  The two means for validation lie mainly on me telling them whether I sell my work regularly or am I famous.  I guess in this day and age you know one unless you are on some list of success even if you are Z list Celeb…

I am honest with my guests, I am not known however like most emerging artists we are labeled so for that very reason.  As for selling, it has not been a focus within my practice to make specifically objects.  Commodifying an art practice is something we all contemplate throughout our years.  However at present I rely on my snowboard coaching as a source of income whilst I develop my voice and direction in my practice.

Success for me is nothing to do with money or notoriety and its something I feel is harder to gain.  It is purely one thing for me and the works I make which is conversation or discussion (discourse if you want art-speak 2.0).  This very basic element within the art world and beyond is not that easy to gain.  Yes in the era of social media it is easy to put work out there for more to see but to hear back is not so simple.  There is very little echo from the majority of not just my work but my peers.  The little that does come back is more of support from fellow creatives who spur you on.  However for me I seek success in the form of something more in the conversation that good art creates.  Don’t get me wrong this is not purely about adulation or people describing works as life changing its the chat surrounding how it engages and interacts on different levels and people.  This discussion is not always sought from those that like or get the work but rather negative and constructive response is just as valid.  I come from a belief that good work is so when you have a response to it this can be in the form or negative: repulsion, hate or anger.  Whilst also the positive: resonates, refreshes perspective or challenges existence.  Work that sits in the middle is what just fades.

Following on from my previous post about being adrift, the reason to currently make work whilst not be located within a place or group.  I see this isolation as a hard time to know where to exhibit or present work when I barely exist.  For me the motivation of making work when I deep down know that the rational for the work being successful is this conversation adds to stalling of making.  The works are still there in my head and whilst I navigate the next few years I will create. However finding a means to connect with networks or environments where I can gage the validity of the work is part of the process and for me right now is the biggest challenge.

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As I wrote in a previous post about Building the Dream.  ErAZ van was known as the Yeraz or the Dream.  The term Yeraz or Yerazi is also used to refer to a Azerbaijani sub-group also.  The Azeri people are a clan of Azerbaijani’s from Yerevan.  The word itself can refer to those people who are not from Yerevan, I guess like myself though I am not Azerbaijani.

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This interplay of words really draws me in as the idea of Yeraz which the people of Yerevan fondly refer the to ErAZ also has links to Azerbaijani clan that is predominate in Azerbaijani politics.  To this day there is an ongoing war between Armenia and Azerbaijan.  My thoughts keep reflecting on this now closed border between these two nations and the two countries with ancestry that is spread across these lands.  The mobility of the ErAZ the Yerevan dream whilst the Yerazi a displaced clan that even though not in their birth land they are still dominant in their nations organisation.  These are resilient dreams.