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My work “Concept Of Since – 24 Options”, is currently part of an exhibition curated by Robert Montgomery.  The exhibition is at the Lights of Soho gallery in London.

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London’s home of creative neon and light art formats is opening its doors for its inaugural open submission show entitled “Signs that Say What You Want Them to Say…” Lights of Soho will be accepting submissions from new and established light artists for a show that will be guest curated by artist Robert Montgomery.

Taking inspiration from the Royal Academy Summer Exhibition, Lights of Soho is inviting young artists who use light as a medium in their work to exhibit alongside established names in light art. Lights of Soho curator Hamish Jenkinson states, “Lights of Soho is more than an art gallery – it is a window of opportunity for young artists to get involved in the art scene. With this show, I’m hoping that we can reach artists who are well into their craft or just discovering it. I’d like to show young artists that art is a democratic experience and that they too can be featured in a London gallery.”

Having started his career off by vandalising billboards and bus stops with his poetry, Robert Montgomery directly communicates with his audience through text and light. Inspired by Roland Barthes and Guy Debord, Montgomery has paved the way for young artists to write their own story. Creating large LED light pieces with his poetry, Montgomery has seen his works showcased around the world including the Kochi-Muziris Biennale in India and a current project which hijacks an entire city block in Seattle.

Montgomery says, “When Bruce Nauman made his seminal artwork in neon “The True Artist Helps the World by Revealing Mystic Truths” in 1967 it represented the beginning of a kind of democracy. Artists, for the first time could now hijack a medium previously only the domain of commercial and corporate voices, and begin to say much more interesting things. When I was a teenager I was obsessed with the pure form of commercial signs. I would fill rolls of film on the family holiday camera photographing the neon signs on abandoned petrol stations in France, and endure the blank looks of my father as he returned from Boots later with far fewer smiling family portraits than he expected, “why would you take so many pictures with no one in them son?…. Jeez, what a waste of money.” I knew that as soon as I had any money of my own I would make my own signs saying the most whimsical things possible. Perhaps even something as whimsical and useless as poetry.

In 1992 Gillian Wearing made the important piece, “Signs that Say What You Want Them To Say and Not Signs that Say What Someone Else Wants You To Say”. This was a lovely and delicate artwork about democracy, and the idea of an open exhibition of light art takes its inspiration from Wearing as much as from Nauman. In an ideal world we would give the billboards back to the people and everyone could write their dreams in neon. “

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Dazed and Confused magazine has just posted an interesting article about Scottish artist Robert Montgomery.  However it was this work about “All Palaces Are Temporary Palaces” that resonated with me.  The idea that one builds a palace, a castle or even a house with a vision.  That vision or idea changes with time so hence this once dream place or palace is only a temporary palace or utopia.  We can constantly dream utopias but once we stop and build and consider these, even fabricating them in the real.  We really only build a past utopia something that was once.  

Full article here:

Robert Montgomery Website here:

10296174_476816305783975_1896722786469790853_o 10309337_1506298946265136_7694545771599548638_n 10339549_10154066985225316_1956882948861110285_nThis year has been going well for me in Athens with events unfolding from my time spent on the SNEHTA Artist Residency last Autumn.  This week saw the opening of Art Athina 2014.  SNEHTA used this art fair to showcase the second set of residents from their residency.

SNEHTA Press Release:

“Things are Different Now”
Snehta Resident Artists Annual Show (2013-2014)

15-18 MAY
Booth P13, Art Athina Platforms Projects, Faliro Pavilion (TaeKwon Do), 2 Moraitini Str., Faliron Delta

Participating artists:
Elliott Burns, Jack Burton, Catriona Gallagher, Boris Lafargue, Andrew Peter Mason, Dickie Webb

Organized by:
Irini Bachlitzanaki, Becky Campbell & Augustus Veinoglou for Snehta Residency, Athens

Things are Different Now brings together work by six artists who completed an artists’ residency at Snehta in
the past year and is the second annual show of residents. The works on show were either created in Athens
or shortly after the resident artists’ stay at Snehta. While they are the result of distinct artistic practices,
seen together they bring to the fore issues of location and dislocation, change and movement as well as the
experience of time and space and the way this is worked through and inscribed on an individual piece of art.

I made a new version of a work that I have continued to use as the basis of my thoughts since Athens, the work titled;

Concept of Since: 24 Options,

4 words

24 orders

Multiple meanings.

Merleau-Ponty described space, as having many meanings and it is only how it is phrased/spoken that gives it meaning.

The current Athenian landscape can be read in different ways by those who live/visit here. It has multiple meanings and like most cities and countries are hard to interpret. This work asks people to consider these short statements in relation to their current landscape, asking them to question their own experience of the here and now. Whilst some viewers will be hung up on the negative others will see opportunity in with each rendition.

Thanks for the SNEHTA team for organising this and making this a success.

Art Athina runs from 15th – 18th of May click here for the website.

Click here for SNEHTA website

 

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Really drawn to these text works by STEFAN BRÜGGEMANN.  I am not sure whether it is because I feel familiar with his approach or whether I am just quizzical about the sincerity of them.  Having made text works myself and continuing to do so currently they bridge an odd gap in the art world.  A chance to state the obvious whilst also hinting at more.  Whether one should be confrontational or just suggestive I am still at odds with. I do think that BRÜGGEMANN is clear in the intention and decisive in the application.  The meaning though will always be unending as people read what they will.

To see more works check STEFAN BRÜGGEMANN website.

 

 

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This past weekend I had a small exhibition of my text and sign work that is an ongoing part of my practice.  These works capture my thoughts and allow me to process ideas prior to abstraction or larger realisations.  The exhibition really helped me back this work instead of separating it from my sculptural works.  I feel elements from my text work will gradually work its way into some of my sculptures in the future.