Archive

Tag Archives: systems

10734161_10154635671980018_6272476073921151849_n

What is a starting point or how do I find an IN?  A week ago I arrived in Yerevan, Armenia and within this week I have to find my bearings as well as figure where to begin.  Though I have current and ongoing themes within my work I change, my location changes and especially the landscape I experience.

10447878_10154639022390018_2504366940359114846_n

Firstly my process is simple I go get lost.. Not in the moment per se but in a place.  Public transport is easy to do this in a new country.  Just get on and do not worry about the direction just travel.  This here in Yerevan is perfect as the whole experience is totally different from other countries I have experienced.  The majority of the transport system is run by small minibuses similar to Ford Transit vans.  I am 6’4″ so even getting into these at times is a challenge.  Especially in rush hour, oh yes just like elsewhere in the world the transport system still gets crowded and these minibuses are full.  Standing room only and you would be surprised at how many people these buses can carry.  Its an impressive feet in itself.  However the whole process is calm and collected considering the horns being used by other road users and taxis.  The public just get on with it without any complaint or quibble.

10626730_10154639023870018_3404183554792679757_n

Anyways back to process.  My approach is I guess similar to the Situationists – Guy Debords’ dérive.  I use my one and one approach with the city to experience the infrastructure and witness the makeup of the city.  I am not directed as to where I head and would rather each left and right decided when it is met.  By passing through districts, suburbs and communities you can get a feel for what atmosphere and people live in a space.  This interaction with the landscape creates a dialogue that builds the more I walk and the further days spent doing so.  I start to question or be drawn into errors, repetition, oddities, familiarities and characteristics.  Its certainly not just the physical or visible that appeals, though sometime its the sense of smell or piercing sound that leaves a lasting impression.  I find my experience of space similar to how I read people and their personalities.  The anthropomorphic nature is something allows me to form initial ideas.  What are these ideas, well I have no idea until I start to delve into these dérives.  How do I know when I am onto a idea or something that is worth investigating further I do not know at first.  However I could compare it to tennis.  If you think about tennis and the shots that win matches or serves that are aces.  These are not ideas that appeal to me as they are either one of, one liners or too literal in their representation of an idea.  The ideas that I am interested in I would compare to the rallies that build and sometimes keep on going.  These rallies I would compare to the discourse that the ideas created within my own research and investigations and those that I speak to regarding the work.

Mirror Image

So by using this kind of dérive or active losing oneself I create an instability that aided by the new location or country sparks my engagement.  I move and navigate the new spaces without plans though attentive to that which is around me.  Over time my mind starts to read that which is around me in new ways and dialogues start to happen and it is these that I use to form the basis for new work/projects.

10557272_10154639021845018_9114229316461495729_n      1010128_10154639030665018_6517759871085223924_n

Advertisements

Alfredo (low)

The practice of Nicolás Lamas is full of playful process based works.  Using process, objects and a systematic use of language to explore the gaps within what others see as certainties.  The inquisitive nature of his various works explore past the obvious, simple techniques alongside conceptual installations allow your mind to wander.  Little gems of information are offered which allow your understanding to enquire as to what further levels of information Lamas is presenting.  It is good to see an artist who does this allowing a viewer to become engaged through entry points whilst also taking them on a tour of further concepts that could be over looked without this engagement.  Click here for his Website.

Anne Marie (low)

Nicolas (low)

Interaction between two spaces(low) Interaction between two spaces2(low)
Nothing comes from nothing?

2013

Method

Todas las palabras que no entiendo de la versión alemana de la Teoría de la Relatividad de Albert Einstein, son lijadas y sus restos son acumulados al lado del libro. A través de este método intento simplificar y acceder de manera absurda al contenido de las ideas expuestas en el texto. Todas las palabras que quedan en el libro son perfectamente entendidas por mí, pero el sentido y la complejidad de las ideas planteadas originalmente en el libro han sido deformadas a través de este ejercicio.21,5 x 15 cm (libro).
My limited knowledge of a language (German) is taken as the starting point for this work, where I sand all the words and mathematical equations that I don’t understand in the book of the Theory of Relativity of A. Einstein. The result of this action is a disjointed text where I can understand each word of the book but not the meaning of the ideas in the original version. The sanded words and equations become a mound of remains next to the book.
20 x 16 cm (book).

Layers of meaning

2012
Proyección de collages digitales realizados a partir de la documentación fotográfica de diferentes exposiciones encontradas en internet. Dimensiones variables.
 
Projection of digital collages made ​​from photographic documentation of different art exhibitions found on the Internet. Dimensions variable.