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Re-post from Highsnobiety

  • By Fritz Radtke

For about 20 years German photographer Michael Wolf has been living in Hong Kong – a city as beautiful and exciting as it is crowded. Being one of the most densely populated areas in the world, with an overall density of some 6,300 people per square kilometer, Hong Kong’s architecture is accordingly dominated by staggering highrise buildings. For his recent photo series ‘Architecture of Density’ Wolf has captured the city’s unique landscape. By removing skies and horizons, thus focusing on and highlighting the structures’ abstract elements, his photographs evoke a sense of endlessness – an ever-growing urban space.

Michael Wolf Website

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The photography work of Sam Irons presents photographs of everyday situations and vistas but with twist.  The way the scenes are framed and composed subtract them from the world we maybe familiar with and suggest somewhere else an otherness.  These heterotopic visuals leave us to rebuild the story and context to comprehend them.  They allow us to engage with spaces that otherswise we would just digest without a second thought.  For more work please check his website here.  

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The portfolio of Croatian artist Igor Eškinja has been one that I have become drawn to.  The simple yet clever use of recognisable objects are altered or presented in a new perspective.  The simple forms are striking and make the eyes and brain engage to read the works and what they are trying to convey.  Click here to see more of Eškinjas’ work.

This work by Igor Eskinja can be interpreted as a challenging disengagementent from his former research practice directed towards problematizing of visualità in contemporary visual expression. A concept tied to ironizing of the basic visual elements like space, perspective, interaction and dictate of consummation of the presented work is been supplemented by problematization of questionable ownership over natural resources and a right to freedom of their distribution.

Nemanja Cvijanovic

 

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I am happy to be part of this upcoming exhibition BOUNDARIES – Curated by Becky Campbell.

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Curator and artist Becky Campbell and the newly established cultural spaces Artscape Athens and Snehta Residency invite you to the opening of the exhibition, Boundaries.

We are continually crossing and encountering boundaries in our daily lives, sometimes aware and sometimes oblivious. We cross over districts of a city; through doors; we shift between being awake (vertical) and asleep (horizontal); between hungry and full.

Boundaries presents the works of 32 creators: 28 artists, two writers, an actor and a musician. The two spaces (Artscape Athens and Snehta) are filled with videos, photographs, paintings, drawings, collages, sculptures, structures and installations as well as performances and interventions in the five-minutes’ walk between.

Each work explores a particular angle related to boundaries – the uncanny, the shadow, liminality, non-spaces, being segregated from a home country, the impossibility of fully comprehending the thoughts of another being, political change, geographical shifts and many others. By bringing such a variety of approaches and mediums into dialogue within and across the two hosting locations similarities and connections of these encounters become prevalent.

21-30 March 2014 Opening 20 March 8-10 pm

Artscape Athens | Moschonision 5, Plateia Amerikis, Athens 112 52

Snehta | Aghias Zonis 1, Kypseli, Athens 113 61

Monday-Friday 5-9 pm

Saturday | Sunday: 12-9 pm

Curated by Becky Campbell

Participants:

Alexandros Laios | Andrew Mason | Christos Vagiatas | Christos Papamichael | Despina Flessa | Despoina Sevasti | Dickie Webb | Dimitris Papoutsakis | Dimitris Patsaros | Elliott Burns | Elli Paxinou | Foteini Palpana | Giannis Amanatidis | Giannis Cheimonakis | Giannis Sinioroglou | Irini Bachlitzanaki | Ivan Masteropoulos | Jack Burton | Konstantinos Kotsis | Kosmas Nikolaou | Kostas Tzimoulis | Maro Fasouli | Matina Charalambi | Panos Mattheou | Panos Profitis | Pantelis Yiannakis | Rachael Cloughton | Rilène Markopoulou | Stephanie Mann | Vasilis Gerodimos | Vassilis Noulas | Zoe Hatziyannaki

The exhibition is being hosted by Artscape Athens and Snehta Residency:

Artscape Athens – An Open Cultural Landscape. Artscape Athens is located at Moschonision 5 Street, in between the borders of Kypseli and Amerikis Square. Since the beginning of 2014 it constitutes the space for cultural expression and artistic creation of the non-profit organisation, Hellenic Museum of Fairytales. Artscape Athens aims to support every act of artistic making and promote local creative ideas. The participatory aspect of its actions constitutes an ongoing motive; therefore it is open in receiving applications for projects and exhibitions from those interested in introducing their work to the broader public.

Snehta Residency is a small private organization that was formed in 2012 in Athens with the purpose to bring international artists in contact with the Athenian art scene. The artists are selected to live and work in Athens for two months in the Kypseli apartment. Snehta – (Athens in reverse) is a metaphorical name suggesting a deeper reading of the city. Snehta aims to expand artistic activity and research in the City, whilst supporting practices focusing on contemporary issues through an experimental and ingenuous approach. Snehta fosters new relationships and collaborations internally and beyond the confines of Athens, Greece.

Becky Campbell is a Scottish artist and curator living in Athens. Previously she has worked for The Fruitmarket Gallery in Edinburgh and DESTE Foundation in Athens. She is part of the team running Snehta Residency in Kypseli, Athens, as well as an organiser of independent projects. Curated projects includeVirtual Materiality for ekthesis-online.com, a at The Demarco Archive, Edinburgh and The WOT Gallery, Edinburgh. She has exhibited internationally in exhibitions including: Gaesahud, Konseptheimilid Sigmar, Reykjavik, Iceland; YELLOW, 2025 Kunst und Kultur e.V., Hamburg, Germany; Short-lived Settlements, Snehta, Athens; Come Ye Hither, Crofter’s Lodge, Loch Eport, North Uist, Scotland; three thousand seven hundred and two, JDM Foundation, Chicago, Illinois, USA.

For further information contact: Becky Campbell & Snehta Residency: becky@snehtaresidency.org Artscape Athens: info@artscapeathens.gr | τηλ. 211 1829117

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Interesting project by Photographer Ellie Pritts.  Working with the JPEG file type and preying on its inadequacies.  JPEG files lose information each time they are opened and saved so Pritts has taken this to the extreme and created these photographic works that display the degradation that happens when a JPEG image is put through this process 600 times.  Here is how the project is described on the site:

“L0SS” is an experimental photography project inspired by the interesting things that happen to JPEG files when they’re repeatedly compressed or become corrupted. Each image in the series started with a digital photograph that I took, manipulated and iterated dozens of times to create the final product. My fascination with these glitches and other visual anomalies is what fueled this project.

A great example of what happens to a JPEG when repeatedly compressed is shown here in David Elliott’s project “Generation Loss”.

I’ve also been hugely inspired by Georg Fischer’s amazing javascript experiments as well as the iPhone app Glitché.

Special thanks to JD Hartley and Tim Pritts. L0SS is a photography project by Ellie Pritts.▮

Here is a link to Project LOSS

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So Catriona Gallagher and myself wrapped up our time here on the SNEHTA residency with a small exhibition titled Unsettled Certainties.  Over the two days we had some interesting conversations with people we had met and others we had not from our time here in Athens.  It was a great way to finish our two months and hopefully will see either of us or both returning sooner rather than later.  I will post some images over the coming week.  For now here is a little GIF teaser from a sign piece I made which is the start of a new series of work titled “Concept Of Since”.

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“Unsettled Certainties”

Catriona Gallagher and Dickie Webb

Opening, Friday 29th November 6:30-9pm
(Open Saturday 30th November 3-8pm. Open Sunday 1st December by appointment.)

Gallagher and Webb have both been occupied with the notion of place, comprehending what it is to be settled or grounded and equally seeking intermediate sites to challenge their knowledge. Through certain and uncertain exploration they have found different places to work within the Athenian landscape.

Gallagher has been making interventions that highlight absurdities in the preservation of heritage and trying to understand the notion of shelter when that becomes necessary.

Webb has concerned himself with liminal spaces, sites that were but are not now, since certain events occurred. He has created reflective intermedia works that question what now, post since.

“Unsettled Certainties” is a synopsis of their research and time at Snehta and points towards possible resolutions in the future.

 

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“Ακαθόριστες Βεβαιότητες”, Catriona Gallagher και Dickie Webb

Εγκαίνια Έκθεσης την Παρασκευή 29 Νοεμβρίου 3-8 μ.μ
Ανοιχτά Κυριακή 1 Δεκέμβριος, κατόπιν επικοινωνίας

Βασικό θέμα έρευνας των εικαστικών Ghallager και Webb είναι η έννοια του τόπου, ο τρόπος με τον οποιό αντιλαμβάνεται ο καθένας τις ρίζες του, και τη βάση της ζωής του, που συναρτάται με κάποιο χώρο. Η τυχαία και πολλές φορές συμπτωματική διαδικασία που οδήγησε τους καλλιτέχνες στην ανακάλυψη τέτοιων σημείων-τόπων, τους ώθησε να επικεντρωθούν καλλιτεχνικά σε διαφορετικά σημεία της Αθήνας.

Πιο συγκεκριμένα, οι παρεμβάσεις της C.Galagher, τονίζουν τους παραλογισμούς στην συντήρηση της Ελληνικής κληρονομίας και φανερώνουν την προσπάθεια της εικαστικού να κατανοήσει την έννοια του καταφύγιου όταν αυτό είναι παρόν, ή όταν αυτό μοιάζει απαραίτητο.

Ο D.Webb ερευνά χώρους περιθωρίου-ενδιάμεσους χώρους και μή τόπους. Μέρη που κάποτε κυριαρχούσε η ζωή αλλά τώρα μένουν κενά ανθρώπινης χρήσης και παρουσίας. Βρίσκει τρόπους να φέρει στην επιφάνεια το χρόνο που μεσολάβησε ανάμεσα στις δυο διαφορετικές καταστάσεις και βάσει αυτού δημιουργεί έργα που έχουν ως βασικούς άξονες δύο καίρια για τον ίδιο ερωτήματα: «Τώρα τι? Από τότε τι?»

Η επιβεβαίωση του άστατου και συμπτωματικού χαρακτήρα που διακρίνει τον τόπο και το καταφύγιο συνοψίζουν την έρευνα που έγινε μεταξύ των δύο μηνών που οι καλλιτέχνες αφιέρωσαν στη Snehta. Μέσω της ερευνητικής αυτής διαδικασίας, δίνεται η δυνατότητα σε καθένα από τους δυο καλλιτέχνες να προχωρήσει και άλλο την εργασία του στο μέλλον προς την κατεύθυνση αυτή.