Monthly Archives: October 2012

People want to be someones. But the really exciting challenge is to become no one. And where will you find no ones? In nowhere. Where things are exploding. 
– Bernadette Corporation



Postal! are about to publish their 3rd edition this coming week here in Edinburgh and they have included a few photos of some of my recent projects.  Please check them out Postal!









Press Release:

Opening: 1 PM, Sunday, December 4, 2011
Place: Neue Grünstraßebetween Kommandantenstraße & Seydelstraße
Public transportation: U2 Spittelmarkt
The artist Erik Smith began searching for building foundations to excavate in an overgrown, vacant lot in Berlin. After two days of digging, he unearthed the top of a curved wall, whereupon his shovel struck a hollow sound. Like an archeologist on the precipice of a chance discovery, Smith methodically uncovered a wholly intact, cast-iron, spiral staircase, a nineteenth-century remnant preserved below the “death strip” of the Berlin Wall.

The excavation is located at Skulpturenpark Berlin_Zentrum, on one of the few remaining “green zones” leftover from the Cold War division. The staircase and evidence of its discovery, an impressive pile of dirt and rubble, resonate in stark contrast to the massive construction sites and new buildings that surround it. At the center of this real estate frenzy, Smith produces an architecture, a staircase downward emerging.

Little is yet known about its history. The staircase is a recognizable entity, but like the missing floors above, anonymous and hermetic. As an artwork, Smith’s open-ended exploration calls to mind Nietzsche’s writings on the principle of a limited horizon – a space established in which one is not responsible to answer all questions or consider all perspectives. By holding them at bay, one can learn something else. In this way, it can be understood that the process of a discovery made in situ, with physical persistence, has its own status, and that knowing the “facts” might not help such a discovery, but only interrupt it.

Erik Smith (US) explores in recent works concepts of city, place and cultural memory, digging into and exposing their latent aspects, if necessary with a shovel. Selected exhibitions include The Ghost of James Lee Byars Calling, de Appel Center for Contemporary Art, Amsterdam (NL), Who, Among You, Deserves Eternal Life? – In Practice, Sculpture Center (NY), and Re-distribution of the Sensible, Magnus Müller Galerie Berlin. Smith has lived and worked in Berlin since 2003. (

Jeremiah Day writes about Erik’s Dig and what he sees he is achieving with this project.  The questioning of his explorations intrigued me, Day went onto ask:

I asked Smith if he would go to an archive and make that kind of research – old maps, old records – and he said he would, at some point – a point that keeps being pushed back into the future. Nietzsche wrote of the principle of a limited horizon – a space established in which one is not responsible to answer all questions, to all perspectives, and by holding some questions away, one can learn something else.  In this way, perhaps we can understand that the process of discovery made in situ, with physical persistence has it’s own status, and that knowing the “facts” might not help such a kind of discovery, but only interrupt it.

I like this thought of not knowing everything and sometimes this can lead to more.  There is no said way to do things we either do them the way they have been done or we try something new.  If we fear or always do things like they have been done in the past then we will never have happy accidents or new discoveries as everything will be to a certain extent predetermined.

Wherever buildings are broken by the explosion of bombs or artillery shells, by fire or structural collapse, their forms must be respected as an integrity, embodying a history that must not be denied. In their damaged states they suggest new forms of thought and comprehension, and suggest new conceptions of space that confirm the potential of the human to integrate itself, to be whole and free outside of any predetermined, totalizing system…….  There is an ethical and moral commitment in such an existence, and therefore a basis for community. – Lebbeus Woods

This quote taken from the book Irresistible Decay – Ruins Reclaimed written by Michael S. Roth ,Claire Lyons,Charles Merewether really stood out.  Strange how some quotes resonate so well.


With just a few thousand living in Ordos it creates an eery experience yet these skaters seem to find themselves in skate heaven.  Ordos is a city built in Inner Mongolia which is in Northern China.  The city has incredible buildings and infrastructure yet it is hardly utilised as it has issues with water supply.  Watch this film by Charles Lanceplaine as his team of skaters take you on a trip around some of the sites, incredible!

This post on BLDG BLOG this week highlights the simplicity of a city..  These keys were put on Ebay recently for sale, some might have just passed over them as just another set of interesting keys however these keys were actually the master keys to New York City!


The keys were bought by an undercover reporter from the Press who went on to check whether the keys were genuine.  To the shock of the reporter most of the keys actually worked..!  Here is some of the comments the reporter went onto say regarding his purchase. All quotes are taken from BLDG BLOG:

The set consists of five keys that would allow control of virtually any elevator in the city, could knock out power to municipal buildings and skyscrapers, darken city streets, open subway gates and some firehouse doors and provide full access to 1 World Trade Center and other construction sites.



The keys include the all-purpose “1620,” a master firefighter key that with one turn could trap thousands of people in a skyscraper by sending all the elevators to the lobby and out of service, according to two FDNY sources. And it works for buildings across the city.
That key also allows one to open locked subway entrances, gain entry to many firehouses and get into boxes at construction jobs that house additional keys to all areas of the site.
The ring sold to The Post has two keys used by official city electricians that would allow access to street lamps, along with the basement circuit-breaker boxes of just about any large building.

Following the recent post about the Lotus Dome by Studio Roosegaarde I am really drawn to new media/architectural agencies and how they create their installations.  Their project Sustainable Dance Floor really works with space in a creative way.  Allowing space and the use of space to feed itself.  Self sufficient spaces literally creating what they need.

Here is the link to this project: click